Natalia Ginzburg

This powerful novel is set against the background of Italy from 1939 to 1944, from the anxious months before the country entered the war, through the war years, to the allied victory with its trailing wake of anxiety, disappointment, and grief. In the foreground are the members of two families. One is rich, the other is not. In All Our Yesterdays, as in all of Ms. Ginzburg's novels, terrible things happen-suicide, murder, air raids, and bombings....

"As far as the education of children is concerned," states Natalia Ginzburg in this collection of her finest and best-known short essays, "I think they should be taught not the little virtues but the great ones. Not thrift but generosity and an indifference to money; not caution but courage and a contempt for danger; not shrewdness but frankness and a love of truth; not tact but a love of one's neighbor and self-denial; not a desire for success but...

"In a quiet Italian town after World War Two, Elsa lives with her parents in the house where she was born. Twenty-seven and unmarried, she is a constant concern to her obsessive, hypochondriac mother. But her mother does not know that Elsa has fallen in love with Tommasino, the elusive youngest son of the De Francisci family, who own the textile factory that dominates the town. Over the course of their secret meetings, Elsa begins to imagine a future...

"Finally back in print, a frighteningly lucid feminist horror story about marriage The Dry Heart begins and ends with the matter-of-fact pronouncement, 'I shot him between the eyes.' Everything in between is a plunge into the chilly waters of loneliness, desperation, and bitterness, and as the tale proceeds, the narrator's murder of her flighty husband takes on a certain logical inevitability. In this powerful novella, Natalia Ginzburg's writing is...

"The first US publication of two 1977 novellas by painterly Italian minimalist Ginzburg (No Way; The City and the House). Set in modern Rome, both Family and Borghesia sketch the bittersweet passage of lives lived in gauzy tombs of indecision and gentle resignation. Carmine, the handsome, 40-ish architect of Family, cannot free himself from a loveless marriage to the pretty but vacuous Ninnetta. He consoles himself by gravitating back to the cluttered...